1.0HMTMhttps://hmtm.de/en/Özgün Turguthttps://hmtm.de/en/author/oztu-hmtm/Nazi Persecution and Music Historyrich600338<blockquote class="wp-embedded-content" data-secret="6uq4zxdbmQ"><a href="https://hmtm.de/en/musicology/nazi-persecution-and-music-history/">Nazi Persecution and Music History</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://hmtm.de/en/musicology/nazi-persecution-and-music-history/embed/#?secret=6uq4zxdbmQ" width="600" height="338" title="“Nazi Persecution and Music History” — HMTM" data-secret="6uq4zxdbmQ" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script>
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https://hmtm.de/wp-content/uploads/bilder/meldungen/Exilkomponisten-Welt-bearbeitet_c_-LexM-_Kartographie-Jochen-Schiewe-und-Anna-Lena-Kornfeld-HCU-Hamburg_975.jpg975650The persecution of musicians by the Nazi regime had a massive, lasting and global impact on music as an intangible cultural heritage. In Germany, as well as in the annexed and occupied countries, there were considerable losses; yet in exile, there were also productive developments in all areas of musical life. The aim of the project is to revise and supplement the history of music in light of these global upheavals. In particular, it focuses on reconstructing the contribution made by musicians persecuted by the Nazis to musical life in the interwar period, documenting the musical output associated with persecution and forced migration, and analysing the dynamics of cultural exchange between refugees and the musical cultures of the countries of exile, with consequences extending to the present day.