Sound Art

Master of Music

The Master degree course in Sound Art offers a forward-looking education for those interested in sound art, sound installations and sound research, with a particular focus on digital media and their implications. Focusing on contemporary themes, students develop individual concepts of the highest artistic standard. In addition to pursuing an independent artistic career, graduates have opportunities in the media industry or, for example, as soundscape designers in industrial or museum contexts.

Please note that all documents related to this degree course are only available in German. These are documents concerning your application as well as your studies. You therefore need to visit the German version of this page to view these document. To be redirected, please click here.

Foto von Mischpult
Degree:
Master of Music
Duration:
4 semesters
ECTS points:
120
Language requirements:
German (no certificate necessary)
Fees:
semester contribution only
Application deadline:
31 May

What is sound art?

Sound art is an intermedia art form that relies primarily (though not exclusively) on sound in its execution. Works classified within this genre take the form of sound sculptures, sound installations, musical performances and other (media) art works that incorporate sound. Works of sound art do not necessarily have to be experienced through sound, but may also engage with sound as a concept, reference or medium – in other words, as part of our everyday world. Sound art also specifically encompasses the creative exploration of (everyday) noises.

Like other art forms, artistic works in the field of sound art engage with aspects of everyday social coexistence. This encompasses, in particular, acoustic ecology—that is, the sonic relationships between living beings and their respective habitats— sonification, that is, the conversion of quantitative data and measured processes into sound, and, more generally, the critical reflection on contemporary socially relevant themes such as the digitalisation of our everyday lives, the engagement with artificial intelligence, machine learning or bioengineering, and, more generally, the handling of contemporary as well as historical media of knowledge exchange.

Key areas of focus in Sound Art at the HMTM:

  • Acoustic ecology, interspecies performances, engaging with the Other:
    Engaging with the (non-)human with the aim of establishing an ongoing dialogue with our environment, and fostering and developing encounters and empathy towards the Other and our environment.
  • Sonification, materiality, instrumentality, shifts in perspective:
    Exploring (digital/hybrid) structures, their nature, their transience, their inherent aesthetics; developing an understanding and a reinterpretation of everyday phenomena.
  • Listening and sound staging as a political act:
    Sound is always political; listening (e.g. Pauline Oliveros’ »Deep Listening«), but also creating sound (e.g. Günter Grass’ »The Tin Drum«), can evoke moods and point the way forward.

Contact for information on the course

Foto von Till Bovermann

Prof. Dr.-Ing. Till Bovermann

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Contact person at Examination Office

Alessandra Wührer

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